
So, what happens after you’ve researched the best book events and cons that you should attend, spent the time and money to travel there, and acquired print copies of your books (in some cases ordering more books) and ‘poof’ you don’t sell anything? What do you do? How do you justify doing an event again? You had huge expenses, and you had next to no return. How do you overcome such an awful experience?
The short answer is you don’t.
I once spent four days at a Con (including travel, hotel, meals, plus Con expenses) and sold one book. One. It was brutal—but also one of my most educational experiences I’ve had. Book Events and Conventions are the best way to meet readers and sell your books. There’s no denying it: if you’re an author, the best way to engage your fans is to attend book events and conventions.
The long answer (and a better way to evaluate the event) is to focus on the experience. Let me explain.
Each event you go to is boiled down into did I sell books? And, did I make my money back? But there’s more to a successful con than book sales (I know, crazy right?). Here are ways I look at events where I didn’t sell anything:
- Allow yourself to be upset, hurt, and angry. Feel all your feelings, but don’t take out your frustration on others. This is difficult, I know. But denying yourself the moment to vent (privately) will do more harm than good.
- When you’re at the event and you notice sales are going to be bad (and you can always tell within the first day of a multi-day event or the first couple of hours of a single day event), practice different elevator pitches for your book or books. (If you don’t have an elevator pitch for your book, you need one and I did a whole separate article on the topic you should check out).
- Use the downtime to audit your display—is it cluttered? Are your Book Inserts clear and useful (Book Inserts are a snapshot of your book’s genre, heat level, series number, type of story, etc.)? You can learn a lot about your book display by observing other vendors. If you’re around other authors, see what they’re doing? Look at how they display their books. Listen to how they speak about their books. If you’re not selling, then spend time absorbing and learning (this never stops, even if you’ve been doing events for years, there is always something to learn).
- Use this opportunity to try different ways to sell and market your book. Maybe put together a book bundle to drive sales:
- Offer any two books for ‘x’ amount of money. Give folks a discount when they buy more.
- Offer a series at a lower price.
- Do you have a book you want to get rid of that you can offer as a freebie?
- Talk to the other vendors and get to know them (especially if they are other authors). ‘Dead’ events are a great place to network and build relationships. The down time gives you a chance to compare notes and ask questions. If you’re having a bad selling event, chances are so are they, so talk (without venting—save those moments for private conversations) to them and ask questions:
- Have you been to this event before?
- Is it always this quiet?
- I really like your display. How did you do it? Where did you get your racks from? Where can I find a banner like that? I love your bookmarks; did you create them or have them created for you?
- Talk about their books and listen to what they have to say.
- If you like their cover, ask about their cover artist (even if you are with a publisher and they have an in-house cover artist, you can still get the name).
- If you’re at the event alone and you can’t walk around, you can still chat with the surrounding folks, which brings me to my next point.
- Walk around the vendor’s room at the con/event, if you have someone with you who can watch your books and your booth. This will give you an opportunity to network with other vendors. Chatting up others is a great way to get a feel for the conference and you might hear about other events you may be interested in attending. It may also drive some sales to your booth as folks talk about the really cool author they met.
- At most cons/events, there will be various media walking about. They will often stop by and chat with you. This is a great time to talk up your books and describe why you wrote your novels (don’t do an info dump on them, have your elevator pitch ready to use, and if they want to learn more, they will ask follow up questions). Oftentimes the media are looking for people to interview or who will be willing to write an article for them. At almost every event (good sales or bad) I’ve been approached by a Vlogger/Blogger or traditional media who want to interview me. I would have never gotten the opportunity if I wasn’t at the event, so keep that in mind when you want to pack up your books and go home.
- Another opportunity at a poor sales con is to use the event as a Marketing/PR experience. You can use your social media to hype up the event and your attendance. Post images of you sharing news about the con (be positive in your posts, do not use your social media to blast the con and attendees for not buying your books.). Remember to tag the con and your publisher. If you are taking pictures with others, tag them. It may not sell any of your books right now, but you’re creating a buzz and by being positive and sounding like you’re having a great time the con may share your post and so might the other people you’ve tagged, which gets more eyes on you and your novels, which could lead to more sales. Also, by using your social media to promote the event you’re at, other potential cons/book events might take note of how you promoted the current event and invite you to be a vendor at their event.
- Get to know the Con/Event staff. Chances are if your sales are down and foot traffic is light, they know. Again, avoid venting about the event, however as you talk with the staff/volunteers it’s a great place to ask questions: is the con/event always this slow? How is the con/event going to get more folks here in the future? Are there any panels I can join right now (you’d be surprised at how many speakers back out for one reason or another, leaving a panel with an open spot)? The friendlier you are with the staff/volunteers and the more you chat them up, the more they will see what they can do to help you out and get you on any open panels (assuming there are panels at the con you are suited for).
- Most importantly after the con/book event provide feedback. Offer suggestions on improving the event for next year. People will listen to constructive critiques, but will shut down when they feel attacked. The more positive feedback you can offer (with suggestions on improving the event) the better your input will be received.
There are several other ways you can evaluate a low-performing book event, but the reality is you need to decide was the event, overall, worth it for you? And that is a call each individual needs to make for themselves. The information above is provided as additional ways to evaluate a book event/conference where you had next to no sales. Keep in mind some events aren’t known as large sale events, you go to them and participate for many of the reasons listed above.
Remember even a no-sale event can plant the seeds of future success—if you know where to look.
This was such a a juicy read and the exact sort of content I can appreciate right now! Not an author, but embarking on the con-life and navigating the ups and downs. I recall attending an event- the travel costs and hotel, only to have the main attraction a no-show… but the con, along with other events I planned, was a memorable time 20 years to this day!
As a vendor though, I’m not inclined to commit to big events outside of my driving range, and I collect lists of possible events to sell at so I don’t put all my eggs into one basket. I recall selling at a new craft fair, when the hosts were so disappointed in the attendance, they offered table fee refunds to anyone who couldn’t make it in sales. I made enough for the table, gas, lunch, and a pleasant afternoon, but the lesson to me was “if an event easily accepts me- an inexperienced seller, then it’s probably not one with terrific marketing and a strong, established attendance”
Moreso, books are personal, subjective, and demand MORE effort on the part of the buyer than most products. I’d consider selling complementary products, branded items, zines, or other smaller more easily digestible writings- PARTICULARLY if an event isn’t geared towards books. I primarily make comics, but I can only imagine how pathetic sales would be if I offered them in $40 hardback printings. Oh wait COLOR?? No way. The costs would be exorbitant for small batches. I’m devising some alternative ways to present my comics on the side, but that’s still being worked out, and I’ve blathered enough. Thanks for writing something helpful and insightful for the small time creators!
The “dead” events are also a great opportunity to hand out bookmarks or postcards. Even if someone isn’t buying then (even with the bonus of “and you can get a print copy signed by the author!”), I find that I get a boost in ebook sales afterwards.